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Nomi Malone, a mysterious young girl with the ambition to dance embarks on a journey to Las Vegas to become a showgirl in a high-class hotel show. There she meets Molly, a seamstress at the Stardust Hotel and the two quickly become good friends. She gets a job as a lap dancer at the seedy Cheetah Club but after a chance meeting with Cristal Connors, the star of Goddess, the current show at the hotel where Molly works, Nomi manages to secure an audition for a spot on the chorus line.

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Yes, this mattered in And then it opened. Gina Gershon, perhaps the only participant who was in on the joke, stood in for Bette Davis.

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Given the public's seemingly endless appetite for musical adaptations of popular films, it's a mystery that, to our knowledge, we haven't arrived here sooner: "Showgirls. Sure, to call " Showgirls " -- a notorious, so-bad-it's-good box-office flop that ground then-budding Elizabeth Berkley's young film career to a halt -- "popular" is a bit of a stretch, but the story of Nomi's Las Vegas showgirl aspirations has since earned the distinction of cult film royalty. The film also, arguably, inspired more modern films like the critically-acclaimed "Black Swan.

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Elizabeth Berkley in 'Showgirls. After getting his start in his native Holland with wild, sexually explicit dramas like Spetters and Turkish Delight a Oscar nominee for Best Foreign-Language Filmdirector Paul Verhoeven came to Hollywood in the Eighties and rebranded himself as a can-do-anything sci-fi filmmaker with a slightly satircal bent. If you needed to make a film about a cyborg cop Robocop or send Arnold Schwarzenegger to Mars Total Recallhe was your man.

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Starring Elizabeth Berkley and Gina Gershon. NC- At Bay Area theaters.

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Showgirls is a sexploitation film written by Joe Eszterhas and directed by Paul Verhoeven. It is also the only movie to receive a wide release under the NC rating. This tale of the lives of Las Vegas strippers set to the plot of 42nd Street may have been partially responsible for the rating's decline, as it was basically an X-rated movie that went through the ratings process which actually isn't required for an X rating; anyone wanting to make an X-rated movie will gladly release it as such on their own.

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It is my belief that Showgirls was conceived on a dare. Dutch director Paul Verhoeven and Hungarian screenwriter Joe Eszterhas had collaborated very profitably on Basic Instinct and, as a follow-up, wanted to appeal to their horny male fan base even more directly. My understanding is that after drinking a lot of Eastern European beer -- something with an umlaut in its name -- Verhoeven told Eszterhas, "I bet you can't write a screenplay in which every character is unmotivated and unbelievable, every action implausible!

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The film has been showered with praise on two continents, and almost every critic I know adores it including my esteemed friend and colleague Peter Debruge, who chose it as one of his 10 Best Films of From here on, this column will not be a spoiler-free zone. The urge to watch what?

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Channing Tatum and Magic Mike have made stripping kind of respectable. But who bared all before him? The most exhilaratingly tacky film about strippers ever made stars Elizabeth Berkley as Nomi Malone, the ambitious small-town girl whose frenzied thrusting takes her all the way to Las Vegas.

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A sleazefest like "Showgirls" promises the inside dope on Las Vegas, stripping, hooking and all that stuff. What "Showgirls" delivers, however, seems basically to be Joe Eszterhas' masturbatory fantasies. The screenplay is the fevered product of a very limited imagination, brought to a high gloss in a slick, expensive soap opera. It contains no true eroticism, however, and that's why I think it reflects a grounding in sexual fantasy: Eroticism requires a mental connection between two people, while masturbation requires only the other person's image.

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